FADE IN:
EXT. FOREST ACRES VIRGINIA -- DAY
It is early morning in late summer. Forest Acres is a small town in Virginia that
is encircled by the forest and rolling hills of the state park. Deer, raccoons, skunks, and black bears roam
the open back yards of the homes that border the forest. A mother duck and her ducklings float across
a small pond.
Forest
Acres is a town that spans the ages of American history. A restored log cabin serves as
the town's museum from it's frontier days. A street plaque describes its place in history. A Civil War
monument with two soldiers, one for the north and one for the south, represents the pasts split political
views of the border line states.
A supermarket and its mini-mall of stores represents Forest Acres' position
in the 1990's.
EXT. WILSON HOUSE -- DAY
The house is a pre-Civil War Victorian. It looks like someone has not lived in
it for many years. There is no paint on the wooden boards, the windows have been broken, there are holes in the roof,
and the shutters are hanging off. The property outside is overgrown with grass and shrubbery.
Two twelve year old boys, CALVIN and
JACK, are standing on the front grass of the house next door looking up at the attic. Jack
turns towards Calvin.
JACK
Do ya think they're really up there?
CALVIN
Mary Sue said she saw one walking
around the house with a candle.
JACK
You can't believe her, she's your sister.
CALVIN
If she says they're in there, then they're in there.
A large water balloon hits the ground between them. They look at each
other with their eyes wide.
INT. MRS. BERGER'S HOUSE -- DAY
In the well kept Victorian home next door, MRS BERGER, 60, a gray haired, chubby,
eccentric, nosey-body, yells out of her window.
MRS BERGER
Hey you brats, get off of my grass!
The two boys take off running.
INT. APARTMENT -- DAY
It's moving day. There are neatly
stacked boxes all around the living room. Each box is labeled, indicating what is enclosed;
Carrie's Personal Things, Tommy's Personal Things, Mom's Personal Things, Books,
Paintings, Mom's Job, Family Room Things, etc.
CARRIE SULLIVAN, 11, tomboy, clad in a New York Giant's shirt, makes
her way through the maze of boxes until she comes up her own. She opens it takes out her football. TOMMY
SULLIVAN, 13, glasses, nerd, clad in a Batman T-shirt and Batman cap takes a book 'The
American Civil War' from his own box, and closes the box very carefully.
INT. ELEVATOR -- DAY
Tommy and Carrie are in the elevator
with a BOY, Tommy's size. As the elevator drops through the floors, the boy intentionally
knocks Tommy's cap off, and laughs. Carrie glances back at the boy. Tommy leans over
to get his cap just as the door opens in the lobby. The boy kicks Tommy's rear, sending him flying out of
the elevator. Carrie presses the 'door hold' button and turns towards the laughing boy. He
YELLS IN PAIN. Carrie runs out of the elevator LAUGHING as she tosses the football to herself.
The boy exits the elevator holding his nose. He looks at his hands and screams.
BOY
You little freak. You made my nose bleed.
Carrie spins around to look at him, smiles, then exits the building.
EXT. APARTMENT -- DAY
There is a large interstate moving
van directly in front of the building. DONNA SULLIVAN, 33, attractive, red hair, blue eyes,
soft spoken, is waving the DRIVER to come to her.
DONNA
Are you sure you know where Forest
Acres is? I don't want any problems.
DRIVER
Lady, you asked me that over the phone, three times in
two days. I know where it is. It's in the middle of the state forest.
A cab arrives for the children.
CARRIE
Mom, the cab's here!
DONNA
Okay kids!
Donna helps the CAB DRIVER put the luggage into the trunk.
She hugs the children.
DONNA
Have a good time with your Dad.
I'll see you in a week.
Tommy kisses his mother and jumps into the back seat. Carrie hugs her mother around
the waist.
CARRIE
I'm not gonna like this trip Mom. You know I don't get along with Brenda.
Donna brushes Carrie's hair back
with her hand.
DONNA
It's only for a week, Carrie. Do it for your Dad.
DRIVER
Lady,
this is costing you money.
Donna motions to him for one more minute. She pulls Carrie close and hugs her,
then she looks into the back seat.
DONNA
(To Tommy)
I want you to take care of your sister while you're on vacation.
Tommy rolls his eyes.
DONNA
(To
Carrie)
No match making, young lady. Promise?
Carrie smiles.
INT. CAB -- DAY
The cab takes Carrie and Tommy over a bridge into Manhattan.
Carrie has the football on her lap. Tommy's reading his book. The driver has the radio
on.
RADIO ANNOUNCER
That's our program for today. I hope you enjoyed our musical trip down
the yellow brick road.
There's background music from "Somewhere Over the Rainbow." Two dialogue
clips come on.
DOROTHY
Toto, I don't think we're in Kansas anymore.
LION
I do believe in spooks...I do believe in spooks...I do...I do...I do believe in
spooks.
EXT. HI-RISE
APARTMENT -- DAY
The
cap pulls up in front of the Eastside building. The black doorman, TOM, opens the cab door
and Carrie jumps out. They 'slit each other five.'
CARRIE
How ya doin' Tom?
TOM
I'm doing fine Carrie. How are you doing?
Carrie tosses him the football.
CARRIE
I got the football I wanted.
JEFF SULLIVAN, 34, handsome, blonde
hair, blue eyes, exits the lobby with his girlfriend. BRENDA STOREWELL, 29, beautiful,
short black hair, dark eyes, shapely. The children run up and hug their father.
TOMMY
Hi Dad!
JEFF
Hi kids, we have to leave right away. We have a 12:30 flight to Orlando.
The cab driver and doorman place the
luggage in the cab trunk. Carrie gives Brenda a dirty look, then waves good-bye to Tom
as she is getting into the cab.
CARRIE
Tom, say hi to your daughter for me.
TOM
I will. You write and tell me about the new house. Don't forget.
Once everyone is in the cab Carrie taps her father on his shoulder.
CARRIE
Do ya got it, Dad?
Jeff smiles at his daughter, reaches into his pocket and hands her a cassette.
Carrie quickly pops it into her 'walk-man.' Brenda glances at Jeff.
JEFF
She likes my Eric Clapton tapes.
EXT. CANDY STORE -- DAY
In Forest Acres a small candy store
is wedged between the town's lone real estate office and the supermarket. Customers
are rushing in and out for their morning papers and coffee, greeting each other by their
first names, AD LIB.
BEN
HILL, 30, a dark skinned, burly, black park ranger rushes from his ranger car and holds
the door to the candy store for a woman who has just exited the real estate office. CHARLOTTE GRACE,
36, short brown hair and brown eyes, clad in a business suit, smiles and bows slightly to Ben.
BEN HILL
Good morning Charlotte, you're here early.
Charlotte enters the store and turns around to Ben.
CHARLOTTE
I
have a woman flying in from New York City this morning. She's renting the old Wilson
place.
Ben stops
short in his tracks. He has to move away to let a man out, and apologizes, AD LIB. Ben's
eyes are wide open.
BEN
HILL
You've gotta be kidding me. Why would anyone rent that place?
Charlotte picks up a newspaper, grabs
a bag of M&M's, and turns towards Ben.
CHARLOTTE
She
needs a place right away and it's the only thing in her price range. She just got a
job down here and she starts a week from Monday.
Ben shakes his head in disbelief and chuckles.
BEN HILL
Yeah,
but the Wilson place?
Charlotte
holds her hand up to cut Ben's word off.
CHARLOTTE
Don't believe everything you hear, Ben. No one
ever proved any of those stories about that house. It's old and it needs work, that's
all.
Again, Ben
chuckles and shakes his head.
BEN HILL
I usually don't believe in ghosts, but there are
so many stories about the Wilson house, I just don't know what to believe.
EXT. AIRPORT PARKING LOT -- DAY
Charlotte is walking to her car with
Donna Sullivan, who's clad in a business suit.
DONNA
It's
really very nice of you to pick me up at the airport like this.
CHARLOTTE
Don't mention it. I know
what it's like to be a single parent. Having to do everything for your children.
DONNA
It's almost impossible. I never seem to have enough time to do anything for
myself. I really appreciate this.
Again, Charlotte smiles.
EXT. WINDING ROAD -- DAY
The car passes through the state park. Charlotte glances over to Donna.
CHARLOTTE
What's
your children's names again?
Donna smiles with pride.
DONNA
Carrie and Tommy.
Suddenly, Charlotte has to stop short when she notices a mother
black bear and her cub crossing the road right in front of them.
DONNA
Wow!
I haven't seen a bear so close since I moved from Pine Grove.
CHARLOTTE
Pine Grove, Virginia?
Donna gives a proud, sweet smile.
DONNA
That's where I was born. I moved to New York when Jeff and I married after
college.
(pause)
I
couldn't afford moving back there with the kids. The housing is so expensive now.
The car begins moving along the road.
Deer stand at the edge of the road and dash into the woods as the car passes them.
CHARLOTTE
Don't you have family there?
DONNA
They all offered, but I want to try and do things on my
own.
EXT. FOREST
ACRES -- DAY
As
the two women drive through the picturesque community, children of all ages are walking
toward their school. The women see the school bully, MOOSE, 13, pushing a boy, 11, to the ground. Charlotte
rolls down her window and yells.
CHARLOTTE
Leave the boy alone, Moose!
You're much bigger then him.
(To Donna)
That kid is always beating up on someone.
DONNA
We have a few of those bullies
in our old neighborhood. You get them all over, no matter where you live.
EXT.
CANDY STORE -- DAY
Charlotte pulls in front of the store and stops.
CHARLOTTE
It
sure is nice that your children's father took them to Florida so you can get the house set up.
DONNA
Yes,
he's like that. It's just that with his manager's job in computers, he doesn't find that much time for
them. We never got to see him much.
(pause)
The only time I get to talk to him,
is when we're arguing about the children.
Charlotte opens the car door.
CHARLOTTE
I'll
be right out. I just have to get a bag of M&M's. I think I have an addiction to them.
Both women
LAUGH.
EXT. STREET IN FRONT OF THE WILSON HOUSE -- DAY
Donna's eyes are wide open
as she stares in disbelief.
CHARLOTTE
I know what you're thinking. With paint and a few new pieces
of glass, this old place will look great.
DONNA
Come on, Charlotte. The only thing this place can
use is a bolt of lightening.
Slowly, Donna exits the car. Charlotte runs around, place her arm around her
new friend. It appears she supplies some encouragement. Donna is speechless as she inches
forward. Jack and Calvin walk up, bound for school. They stop and watch as the women move
closer to the porch. Just as Donna is about to touch the door knob, Calvin calls out.
CALVIN
I wouldn't
go in that Wilson house, it's haunted.
Donna turns to Charlotte, her eyes are open even wider.
CHARLOTTE
There's
no such thing as ghosts. This house is old, and needs work, but that's all.
Jack moves closer.
JACK
Everyone
in town knows that it's haunted.
Donna's finger touches the door knob and suddenly the door falls
off of its hinges and crashes to the floor in a cloud of dust. Charlotte and Donna jump
back expecting the worst.
JACK
You'll see. This place is haunted.
INT. MRS.
BERGER'S HOUSE -- DAY
The nosey-body peers through her blinds to watch what is going on next door.
She turns toward her pet parrot, CHARLES, as she fingers her hair bun.
MRS
BERGER
Brats! All I need is my prize flowers destroyed.
Mrs. Berger notices the two women leaving
the Wilson house. She opens the front window a little.
MRS BERGER
Maybe you can hear them talking,
Charles.
EXT. WILSON HOUSE -- DAY
Front yard, Donna back peddles as she looks towards
the Wilson house. She shakes her head.
DONNA
I don't know about this place. Are you sure this
is the only place in my price range. There has to be something better then this. Maybe
a tent or something.
CHARLOTTE
I have a couple of days vacation coming. I can help you get it ready
for the kids.
The old, worn curtains at the attic window move away as if someone was looking down at the
two women below.
EXT. DISNEY WORLD -- DAY
The amusement park is crowded with young families.
Carrie, clad in a Dallas Cowboy's shirt, and her brother, Tommy, clad in a Mickey Mouse
shirt, are racing to the Small World amusement line. Carrie wins but Tommy sneaks ahead of her.
Carrie pushes him. Tommy fixes his glasses and smiles. Their father and his girlfriend, Brenda, are coming in behind
them. Carrie and Tommy are pushing each other.
JEFF
I told you
two before to cut it out. If you don't stop, you won't get any ice cream later.
The children stop.
Carrie looks around at all the families walking by. She turns towards Tommy, speaking loud
enough for her father and Brenda to hear.
CARRIE
I wish Mom was here instead of Brenda.
Her
father and Tommy are aghast that she said it so Brenda could hear it. Brenda shakes her head and a slight
smile breaks her lips.
JEFF
Carrie! Apologize to Brenda right now!
Carrie
steps back slightly.
BRENDA
It's okay, Jeff.
CARRIE
Apologize? You told
us we were allowed to say anything to each other as long as it wasn't insulting or mean.
Besides, I wasn't talking to Brenda. I was talking to Tommy. It's not my fault she heard me.
JEFF
I
said to apologize.
CARRIE
It's not fair. I didn't do anything wrong.
JEFF
I
told you to do something, Carrie. I'm not telling you again.
Brenda holds Jeff's arm.
BRENDA
Don't
worry about it sweetheart. I understand. Carrie just misses her mother.
Jeff gives his daughter a dirty
look.
CARRIE
(fast)
I'm sorry.
JEFF
Say it nicely.
CARRIE
Fine.
I'm sorry Brenda.
INT. SMALL WORLD -- DAY
Carrie and Tommy get into the car and
the vehicle pulls away.
TOMMY
I worry about you, Carrie. I'm much older then you, I can see more.
You have to give Brenda a chance.
CARRIE
Not! You're only 13 and I'm 11. Besides, I'll
never give her a chance. She's not good enough for Dad! Plus I don't trust her.
She's up to somethin'.
TOMMY
Don't tell me you're still trying to get Mom and Dad
back together.
CARRIE
I'll never give up. They still love each other. They're just to stubborn
to show it.
TOMMY
You're the stubborn one.
In the next car, Jeff and Brenda
are sitting with their arms around each other.
JEFF
I'm sorry Carrie said those things to you.
Sometimes, I just don't understand her.
BRENDA
It's hard for her to accept the divorce.
(pause)
So,
when are you going to tell her and Tommy we plan on getting married on Thanksgiving?
JEFF
I don't
know yet. Tommy shouldn't be a problem. I know he can adjust. But Carrie, she's gonna be tough.
Brenda
leans over and kisses Jeff on the cheek.
BRENDA
You better do it soon, sweetheart. I don't want
any trouble with her the day of the wedding. I want my wedding day to be perfect.
EXT.
DISNEY WORLD -- DAY
Together, Tommy and Carrie go on the different amusements. Jeff and Brenda are close
by, holding hands. The children continue to push each other. Carrie gets angry from one
push, and punches Tommy in the arm.
TOMMY
(rubbing his arm)
Why'd you have to do that?
We were just playing.
CARRIE
Yeah, but you didn't have to push so hard.
Carrie
turns to Brenda and gives her a dirty look, and at one point sticks her tongue out. Tommy catches her.
TOMMY
Don't
let Dad catch you doin' that.
Angry, Carrie shakes her fist at Tommy.
CARRIE
Why
don't you mind your own business and leave me alone. You're just mad because I punched you.
Tommy
follows his father and Brenda, who are walking to a food booth. A ten year old boy, who is eating an ice
cream cone, mimics Carrie's fist shaking. Moments later, Carrie's LAUGHING as she runs to catch
up to Tommy. The boy is CRYING as his ice cream cone is now sticking from his forehead.
INT.
HOTEL ROOM -- NIGHT
Jeff and the children have a two bedroom suite, with Brenda's room right next door.
Jeff pours Brenda a glass of wine. Brenda takes a sip of the wine and lays her glass down.
BRENDA
Well,
did you get a chance to tell the children we're getting married?
Jeff fingers the rim of his glass.
JEFF
No,
I want to do it tomorrow at breakfast while you're out shopping.
Brenda takes a potato chip from a
bowl in front of her and holds it to her lips.
BRENDA
I want this wedding to be the year's best
social event on the eastside. I don't want Carrie causing a scene on our day, sweetheart.
The
children's bedroom door is slightly open. Tommy, who has been listening, glances over towards his sleeping
sister.
EXT. WILSON HOUSE -- DAY
It is early morning. Donna
and Charlotte are in front of the house, ready to go in and start the cleaning and repair
work. Donna looks discouraged. A tool box and cleaning materials are at their sides. Three car loads of YOUNG ADULTS
and TEENAGERS arrive at the curb, followed by two pickup trucks loaded with supplies of wood,
glass, and paint. Donna is astonished, and glances toward Charlotte for an answer. Charlotte
smiles and holds Donna's hand.
CHARLOTTE
The Church just started up a youth group and I volunteered
to be the director, so I thought this would be a good first service project for them. I
hope you don't mind.
Donna smiles.
DONNA
I'd be crazy to mind.
The
teenagers GREET THE WOMEN, AD LIB, as they pass them on their way into the house. Once the volunteers are
inside, the two women follow them in.
SERIES OF SHOTS:
HIGHLIGHT
THE CONDITION OF THE HOUSE, REPAIR AND CLEANING PROCESS. SOME SHOTS ARE COMIC WITH CLOUDS OF DUST
ENGULFING EVERYTHING AND EVERYONE.
INT. HOTEL RESTAURANT -- DAY
Breakfast
is half eaten when Carrie pushes her plate away
CARRIE
How could you, Dad?! I don't believe you
could do this to Mom.
Jeff goes to hold her hand across the table and Carrie quickly pulls it away.
JEFF
Your
mother and I are divorced, Honey. I have to live my life and she'll live hers. Brenda will be like your
second mother.
Carrie pushes her chair back and stands up. Her eyes highlight that
she can not believe what she just heard.
CARRIE
Brenda will never be my mother! I hate her!
Carrie
runs out of the room and into the lobby. Jeff and Tommy glance around at all the staring families. Tommy
decides to go after her and finds her sitting on the sofa.
INT. LOBBY -- DAY
He
sits down next to her on the sofa.
TOMMY
Carrie it might be fun. Look at all our friends who have
two mothers. They seem happy. Yeah, look at Charlie Gallo, he loves his stepmother, and
still loves his real Mom.
CARRIE
I'm not going to love her and she's not going to love me,
or Dad. She's two faced.
INT. JET PLANE -- DAY
Flying over the ocean, Jeff is working
with his lap top computer as his children are asleep next to him. Carrie's wallet drops
to the floor and spills out it contents. Jeff picks them up and notices his wedding picture with Donna. He looks
at it and releases a slight SIGH. Trying to act as if she is asleep, Carrie watches him with one
eye. She motions as if she is waking up and her father quickly shoves the picture back
into the wallet.
INT. WASHINGTON D.C. AIRPORT TERMINAL -- DAY
Jeff and the children
exit the plane gate and look around the crowd for Donna. Tommy notices her and points.
TOMMY
There's
Mom! Over there by the pay phones.
Jeff hugs Tommy and shakes his hand.
JEFF
Remember
to listen to your Mother, and don't give her a hard time about moving to Virginia. You're gonna like
living there. I did when I was in college.
Jeff goes to say good-bye to Carrie, but
she walks away.
JEFF
You're still not talking to me, Carrie? You're not even gonna say good-bye?
Ten
feet away, Carrie toward her father, but walks backward toward her mother.
JEFF
Good-bye Carrie.
I'll call you.
Carrie dashes back to her father grabs hold of him. Tears are rolling down her cheek.
CARRIE
I
love you, Daddy. I love you so much.
Jeff pushes her away slightly so that he can see her face.
JEFF
I
love you too. I don't want you to be angry with me over this wedding. I want you to be happy.
CARRIE
I
can't stay mad at you, Dad.
Jeff smiles
JEFF
You never give up. You better
go to your mother. She'll think you got lost in the crowd.
As Carrie makes her way through, Jeff eyes
Donna, who looks very attractive in her business suit. Their eyes meet. As Donna and the
children walk through the terminal, Jeff watches them. His New York connection is announced, AD LIB.
As his plane lifts off, Donna watches.
INT. SULLIVAN CAR -- DAY
Before
the car starts, Carrie leans over the seat and gives Donna a hug and kiss on the cheek.
CARRIE
You
look so pretty today, Mom. Are you going somewhere?
DONNA
Yes honey. I've got to go to work.
But first, I have to drop you and your brother off at home with the babysitter.
CARRIE
Babysitter!
I was hoping you would stay home today. Please Mom stay home. Your boss won't miss you one day.
DONNA
I
can't honey. It's my first day at the new job. I want to make a good first impression. Besides, we can really
use the money. I've asked the boss if I could go in late tomorrow, so that I can take you
and Tommy to school in the morning.
CARRIE
Why can't we stay home the rest of the week?
Donna
puts her seatbelt on and glances back to make sure the children have theirs on.
CARRIE
Come on Mom,
can we stay home tomorrow? You can show us Forest Acres.
TOMMY
I don't wanna stay home. I wanna
get started as soon as possible. They've got a really cool computer department.
DONNA
Your brother's
right, honey.
Carrie shakes her fist at him, Tommy smiles.
EXT. WILSON HOUSE -- DAY
The
children stand next to each other, looking at the house. It has a completely different look, with its new
paint job, fixed shutters, and window panes. Donna is very proud.
DONNA
So, what
do you think? It's beautiful isn't it?
CARRIE
I'll tell you one thing, it's big.
TOMMY
It's
old. The architecture looks like it was built before the Civil War.
Donna places her hands on his shoulders.
DONNA
I
don't know when it was built. It could have been built last year for all I know. Let's go inside, I want you
to see your rooms.
As they walk on the porch's wooden floor, Donna's
foot breaks through the plank. She rolls her eyes.
INT. WILSON HOUSE -- DAY
At the attic
window, the old curtains close. Downstairs in the hallway, MRS ANDERSON, the babysitter, middle
aged woman, built like a Marine drill instructor, and facial expression to match, meets the Sullivans. Carrie rolls
her eyes at Tommy.
DONNA
Hi, Mrs. Anderson. I was just going to
show the kids their new rooms.
Mrs. Anderson pulls Carrie by the shoulder.
MRS ANDERSON
That's
alright, Mrs. Sullivan, I'll take the children around the place, you just go off to work.
DONNA
Are
you sure?
MRS ANDERSON
Handling kids is my specialty.
Carrie turns her back on
her.
CARRIE
(sotto)
This is one kid she's not gonna handle.
Donna takes
Tommy to the side. She brushes his hair back with her hand.
DONNA
I want you to keep an eye on your
sister. Try and play with her as much as possible over the next few weeks.
Tommy rolls his eyes.
TOMMY
Come
on, Mom. You know how she is.
DONNA
At least keep an eye on her until she gets some new friends.
TOMMY
Alright.
DONNA
I
knew I could count on you.
Donna says good-bye to Tommy and Carrie, AD LIB, then leaves. Mrs. Anderson
watches Donna pull away in the car, then turns around toward Tommy and Carrie.
MRS
ANDERSON
I'm gonna tell you both once, and only once, I'm not here to be your maid, I'm only here to make
sure you do the right thing.
MRS ANDERSON
No rough housing, no
raiding the ice box, no television, and no playing music. I like it quiet when I'm watching
my soaps.
She points to the children's luggage.
MRS ANDERSON
Now
get those bags upstairs before I make you do fifty. Now! Get moving!
In the family room, Mrs. Anderson
is setting up a lunch tray in front of the television. In the kitchen, unknown to the woman,
Carrie is putting something into Mrs. Anderson's sandwich. The babysitter takes her lunch to the television.
As Carrie watches, Mrs. Anderson looks at her watch, then turns on the television to a soap opera.
The woman unwittingly puts her sandwich close to her mouth. A worm sticks its head from
between the bread slices. The sandwich is only an inch away from Mrs. Anderson's mouth
as she continues to stare at the television. Carrie takes something from a bag in the hallway. Mrs.
Anderson pulls her sandwich away from her mouth in reaction to something on the soap. She takes a big bite out
of it, and MAKES A SOUND that she likes it. Carrie's laughing to herself. Mrs. Anderson's
about to take another bite when half of a worm falls on her tray. She jumps up SCREAMING,
and runs into the hallway. Carrie shoves a snake into her face. The woman locks herself
in the bathroom. When Donna arrives home, Mrs. Anderson rushes past her out the door.
MRS ANDERSON
Let
me out of this house!
DONNA
What about tomorrow?
Mrs. Anderson's in a trot
down the street.
MRS ANDERSON
You don't need a babysitter! You need a zoo keeper!
Donna
turns toward a LAUGHING Carrie.
DONNA
What'd you do to that poor woman? Now she's doesn't
want to come back.
Donna turns her back and watches Mrs. Anderson. Carrie does a slight victory dance,
and Donna catches her.
DONNA
Go to your room.
CARRIE
It's not fair.
I didn't tell her to leave like that.
DONNA
Get!
INT. GRAMMAR SCHOOL -- DAY
Beginning
of the school day. The hallway is crowded with children, parents, and teachers. Dressed for work,
Donna kisses Carrie and Tommy good-bye and exits the school building. Moose, the school bully, and his friend,
BILLY, are watching the scene. Billy pushes Tommy into Moose. Moose grabs Tommy by the
collar, knocking his glasses to the floor.
MOOSE
Who do you think you are pushing into me?
TOMMY
(nervous)
I...I
didn't do it on purpose. Someone banged into me.
BILLY
Ya gonna take that from a nerd?
Billy
shakes his head.
BILLY
This is not like you Moose.
Moose pulls Tommy close and
lifts him off the floor.
MOOSE
You talk funny. Where ya from, nerd?
Carrie moves
through the crowd and pulls her brother from Moose, then hands Tommy back his glasses.
CARRIE
Leave
my brother alone! He didn't do anything to you.
Billy's eyes go wide.
BILLY
You
know who you're talking to, girl?
Moose goes to grab Tommy's collar and Carrie SLAPS his hand.
A HUSH sweeps the hallway.
CARRIE
I don't care who I'm talking to. You don't mess with
my brother.
Moose LAUGHS. Billy follows suit. Carrie holds her ground and Tommy hides behind her.
CARRIE
Go
start with someone else.
MOOSE
Don't this beat it all. This four eyed clown has to be protected
by his little sister.
BILLY
Break his face for him.
Moose raises his hand to cut
off Billy from talking. He points at Tommy.
MOOSE
Listen ya little mouse turd! Your mother and little
sister ain't gonna be around all the time to help ya.
Moose then points to Carrie. Carrie SLAPS his
hand away.
CARRIE
Develop some manners.
Moose smiles and shakes his head in disbelief.
MOOSE
Listen,
sweetheart. You're lucky you're a girl. But next time, I won't be so nice. I don't like people making
a fool out of me in front of my friends.
CARRIE
Don't blame that
on me. You were a fool before I met you. I'm sure your friends know that.
Billy CHUCKLES and Moose
gives him a dirty look. He starts to walk away, then turns around to Carrie and Tommy.
MOOSE
I'm
gonna be looking for you two.
Carrie shakes her whole body as if she is afraid.
BILLY
Why'd
ya let that girl do that, Moose? Everyone's gonna talk how you backed down from a girl.
Moose smiles
at Billy.
MOOSE
This is just the beginning between us. I'm gonna have them beggin' for mercy.
BILLY
I
think ya shoulda done it when everyone was looking. This is not good for our rep.
Moose shoves Billy against
the wall, and walks away alone.
INT. MARINO BUSINESS SYSTEMS -- DAY
It is a modern computer
office. Terminals are set up in the many office cubicles. Donna Sullivan is hard at work
at her terminal. Piles of computer manuals are on the desk next to her along with a case of beautiful flowers. Pictures
of Tommy and Carrie are near by. She leans over to smell the flowers then gets back to work.
ROBERT FOX, 60, black, bald with neatly trimmed hair on the sides, thin mustache, clad
in a business suit, passes by Donna's cubicle. Donna notices him and call him.
DONNA
Mr.
Fox.
He enters with a big smile and points at the flowers.
FOX
I can see you received
our welcoming gift. I hope you like them.
Donna smells then again and fingers a flower.
DONNA
I
love them. They're so beautiful.
FOX
I'm glad you like em'.
Mr. Fox
sits on the edge of the desk.
FOX
I just got off the phone with your former boss, Mr. Stewart. He
said nothing but great things about you and your work.
Fox CHUCKLES.
FOX
In
fact, he said he did everything in his power to keep you there.
DONNA
Yes, Mr. Stewart was a great
boss. I couldn't have been happier there.
Donna presses the enter key on her computer.
DONNA
I
was happy there, but I wanted to move back to Virginia.
FOX
The way you've been pounding out
on that terminal of yours, I can see New York lost a great resource.
DONNA
Thank you.
Donna
smells her flowers.
INT. WILSON HOUSE -- DAY
CARRIE BRINGS A FIELD MOUSE INTO THE HOUSE
IN A SHOE BOX, AND SHOWS THE NEW BABYSITTER. THE WOMAN JUMPS ON THE KITCHEN TABLE TO GET
AWAY FROM IT. CARRIE PICKS UP THE SMALL ANIMAL BY THE TAIL AND BRINGS IT CLOSE TO THE WOMAN. WHEN DONNA
RETURNS FROM WORK, THE BABYSITTER RUNS OUT. CARRIE DOES HER VICTORY DANCE AND IS SENT TO HER ROOM. ANOTHER
BABYSITTER, WHO LOOKS LIKE A WITCH, CHASES CARRIE WITH A BROOM. THEY GO OFF THE SCENE AND
RETURN WITH CARRIE CHASING THE BABYSITTER WITH THE BROOM.
The fourth
babysitter, PAM, a teenage high school girl, is talking on the phone in the family room. Carrie enters
the room in a panic.
CARRIE
Come quick! Come quick!
The girl puts
the phone down and runs out into the hallway. Tommy is watching from the kitchen. Carrie sneaks
back into the family room and sticks a huge wad of gum on the ear piece of the phone. Pam reenters as Carrie hides
behind the sofa.
PAM
I don't know what...
She
pulls the phone away and the gum is attached to her hair. She SCREAMS. Donna returns home and Pam shoves
ten dollars into Donna's hand.
PAM
Take this money and please don't ever
call me again.
Pam runs out the door. Donna CALLS OUT.
DONNA
Carrie, get to your
room.
Tommy meets Carrie at the top of the stairs.
TOMMY
I know what you're
trying to do, and so does Mom.
Carrie makes a face and moves her head from side to side.
TOMMY
Well,
it's not going to work. Mom has a plan.
Carrie pushes him as she enters her room.
INT.
WILSON HOUSE -- DAY
The large country kitchen is done in with simple but quaint furnishings. The PHONE
RINGS and Carrie and Tommy race from the family room to get it. Tommy trips and his glasses
fall to the floor. As he picks them up, Carrie answers the phone.
CARRIE
Sullivan's
truck stop. You got the money, we got the mush.
JEFF
Carrie honey, can you hold on?
Carrie
covers the mouth piece and turns towards Tommy.
CARRIE
It's Dad!
INT. JEFF'S
WORK OFFICE -- DAY
Jeff's office is neat, yet there are stacks of papers and computer listings everywhere.
Jeff's sitting at the desk holding the phone with one hand and an office memo in the
other. An EMPLOYEE enters, and hands Jeff a report.
EMPLOYEE
Can you sign this report for me, Jeff.
Mr. Cunningham's waiting for it.
Jeff flips a few pages then signs it.
JEFF
Did
you fix those spelling words?
The employee smiles and closes the door as he leaves.
JEFF
Thank
you for waiting Carrie. I'm very busy today. I've been working very hard.
Jeff takes a sip from
his coffee mug, labeled 'World's Best Dad.'
JEFF
I have to talk to you about something
very important, honey. Let me say everything before you cut in.
INT. WILSON HOUSE -- DAY
Carrie's
smile turns to a frown as she listens to her father over the phone. She sits down.
CARRIE
You've
moved the wedding day to Columbus Day! Why? You can't do that. Columbus Day is only a month away.
Carrie's
eyes begin to fill with tears.
CARRIE
Dad, why are you letting Brenda do this? Don't you have
a say in this? What, are you afraid of her?
She snaps a pencil that was laying on the table.
CARRIE
I
want to see you before then. Can you come visit us this weekend? Please!
JEFF
I can't, honey.
Not this weekend.
CARRIE
Then can Tommy and me go up to visit you in New York? We won't be any
trouble. You won't even know we're there.
JEFF
Brenda and I will be very busy.
CARRIE
What
do you mean you're going to be busy with Brenda? We're you're children. I don't believe you, Dad!
Carrie
throws the phone, runs out the back door, and into the yard. Tommy picks up the phone.
TOMMY
Dad...Dad?
Are you still there?
EXT. WILSON HOUSE -- DAY
The Wilson backyard borders the state
park. Carrie walks behind the old carriage house and sees a young deer. She inches toward
the animal.
INT. WILSON HOUSE -- DAY
The old worn curtains move away as if someone is
looking down at her.
EXT. WILSON HOUSE -- DAY
CARRIE
Are you lost little deer?
I'll help you find your parents.
The deer runs off into the woods and Carrie follows. She tries to
keep up, but slips while crossing the stream and falls into the mud.
INT.
WILSON HOUSE -- DAY
In the family room Tommy is changing the channels on the television when he comes to
a channel showing black bears. There's an interview with Ben Hill.
BEN
HILL
During the summer months, park bears develop some bad habits with the help of our tourists, maybe even some
of our own town's people.
(pause)
People spoil the animals by feeding them
scrapes from the table or picnic baskets. Now the bears want more and they won't take
no for an answer. They'll do anything to get it. Even steal from garbage cans.
INTERVIEWER
Ben,
are these bears dangerous to the public? Are they something we should be afraid of?
BEN HILL
Normally,
bears are more afraid of people, then you are afraid of them. They won't bother you unless they feel
threatened or think their young are threatened. They're extremely protective of their young.
Donna
comes in from work. As the television interview continues. Tommy speaks to his mother. The television
shows garbage left on a picnic table and a bear rummaging through it. A cub is at it's side.
TOMMY
Did
you ask your boss about your plan?
Donna lays her briefcse down, and Tommy turns the television low.
DONNA
He
likes the idea. He said he was going to recommend it himself.
Donna kicks off her shoes and rubs her feet.
DONNA
Where's
Carrie? Is she out playing?
TOMMY
She went out back, about two hours ago. Dad and her had a disagreement.
It really upset her.
DONNA
Two hours? She could be lost in those woods!
Tommy
glances at the telvision which is still showing the bears.
EXT. WILSON HOUSE -- DAY
Near
the face of the woods, Donna and Tommy are CALLING OUT TO CARRIE, AD LIB. Mrs. Berger sticks her head out
from her back window.
MRS BERGER
Stop the yelling before I call the police.
Carrie
exits the woods, covered in mud.
INT. WILSON HOUSE -- DAY
In the kitchen Donna is on
the phone, arguing with Jeff.
DONNA
Why can't you see past your own nose? You know how this child
feels about your relationship with Brenda!
JEFF
My getting married is not selfish. Getting remarried
happens everyday.
DONNA
You know I'm not talking about you getting remarried. It's your lack
of understanding about how she feels. She's just a kid!
Up at the
top of the stairs, Carrie is listening to her parents aruge who's fault everything is, AD LIB. The
young girl hates to hear her parents argue and you can see it on her face. She hears her mother hang up the
phone. When she thinks her mother is coming up the stairs, Carrie backs up into a door,
and a skeleton key falls from a door ledge. After realizing that no one is coming uo the
stairs, she tries the key on the door, and finds it to be an empty closet. she tries another
door, and finds the stairs to the attic. She climbs slowly through the layers of cob webs. She sees a spider and tries
to pick it up, but the insect runs into a hole.
INT. WILSON HOUSE -- DAY
In
the kitchen, Donna is sitting on a chair when Tommy comes up behind her and hugs her.
TOMMY
It's
okay, Mom. Things will settle down with Dad once the wedding's over.
Donna hugs Tommy's hand and
pulls him in front of her.
DONNA
I have a surprise for you, young man. I can tell you my plan.
(pause)
We're
getting a computer installed tomorrow in the family room.
Tommy's face turns to all smiles.
DONNA
My
boss is giving me one at home, so I can do a lot of my work here. This way I can be home with you and Carrie
more.
TOMMY
I can use it right?!
DONNA
Only if I'm
not using it for work.
INT. WILSON ATTIC -- DAY
Carrie is walking around the attic which
is filled with antigue furniture and novelties. She is sad. She picks up a porcelain doll,
and hugs it.
CARRIE
I wish you were a real friend. Then at least I would have a friend.
She
brushes the dust off the dress.
CARRIE
We could talk. Tell each other our problems.
She
wipes a smudge from the doll's face.
CARRIE
I wish you could understand about parents and divorce.
About brothers, and school, and things like that.
(pause)
It so hard being a kid. No one really understands you.
She
takes the doll and walks around looking around at everything. She hears a noise downstairs, lays the doll
on a chair and walks to the top of the stairs and looks down. Suddenly, she hears her NAME BEING CALLED,
AD LIB, from a corner of the attic. She walks over to where the elderly voice came from.
She is standing before an old painting of two elderly men, and a small black and white
spotted dog, sitting on a 19th century sofa. Confused, she walks back to the stairs. Again her
NAME IS CALLED, AD LIB. She returns to the painting. Suddenly, the dog BARKS and wags its tail. Carrie jumps back
and falls into a chair. GEORGE WILSON, grey hair and long mustache, stands up in front
of their sofa.
GEORGE
Don't be afraid. We're here to help you. I'm George Wilson and
this is my brother Ulysses.
He opens his hand toward ULYSSES, a tall, lanky, bald man, with a long beard.
Carrie pinches herself repeatedly. Her eyes are open as wide as they go.
CARRIE
(sotto)
This
can't be happening. This isn't real.
GEORGE
We're ghosts, but we're not here to scare
you, Carrie. We want to be your friend.
Carrie shakes her head as Ulysses pulls on his beard. The dog continues
to wag her tail. She BARKS, and Carrie jumps back in her seat
GEORGE
Oh,
I'm sorry. This is our dog, Happy. She's the brains of this outfit, and the one who keeps us in line.
Carrie
slowly inches forward on her chair.
CARRIE
Wilson. You're the people this house was named after.
George
gives a warm smile.
GEORGE
Yes, that's us. Our father built this place in 1845, with the help
of his family.
Ulysses is silent, but continues to pull of his long beard. Happy continues to wag her tail.
CARRIE
I
can't believe this is happening. I must be dreaming.
George CHUCKLES.
GEORGE
It's
true. We're ghosts
(pause)
We're stuck in this house.
Carrie stands up and moves closer
to the painting.
CARRIE
Why are you talking to me and not the rest of my family.
GEORGE
We
want to help you. Your parents.
Carrie makes a facial expression like she is shocked.
CARRIE
How
do you know what's going on?
GEORGE
We saw and heard everything. Our father made a strong house,
but he didn't make the walls too thick. He always wanted to here if our ma was calling
for him.
Downstairs, Donna CALLS UP TO CARRIE, AD LIB.
CARRIE
I can't stay.
My turn for the television is now. My mother's probably wondering what I'm up to.
Moments later,
Carrie's smiling, as she runs downstairs, holding a small wooden box in her hands.
END
OF ACT I.