FADE IN:
EXT. FOREST ACRES VIRGINIA -- DAY
It is early morning in late summer. Forest Acres is a small town in Virginia that is encircled
by the forest and rolling hills of the state park. Deer, raccoons, skunks, and black bears roam
the open back yards of the homes that border the forest. A mother duck and her ducklings float across a small pond.
Forest Acres is a town that spans
the ages of American history. A restored log cabin serves as the town's museum from it's
frontier days. A street plaque describes its place in history. A Civil War monument with two soldiers,
one for the north and one for the south, represents the pasts split political views of the border
line states.
A
supermarket and its mini-mall of stores represents Forest Acres' position in the present day
EXT. WILSON HOUSE -- DAY
The house is a pre-Civil War Victorian.
It looks like someone has not lived in it for many years. There is no paint on the wooden boards,
the windows have been broken, there are holes in the roof, and the shutters are hanging off. The
property outside is overgrown with grass and shrubbery.
Two twelve year old boys, CALVIN and JACK, are standing on the front
grass of the house next door looking up at the attic. Jack turns towards Calvin.
JACK
Do
ya think they're really up there?
CALVIN
Mary Sue said she saw one walking around the house with
a candle.
JACK
You can't believe her, she's your sister.
CALVIN
If
she says they're in there, then they're in there.
A large water balloon hits the ground between them. They look at each
other with their eyes wide.
INT. MRS. BERGER'S HOUSE -- DAY
In the well kept Victorian home next door, MRS BERGER, 60, a gray haired, chubby, eccentric,
nosey-body, yells out of her window.
MRS BERGER
Hey you brats, get off of my grass!
The two boys take off running.
INT. APARTMENT -- DAY
It's moving day. There are neatly
stacked boxes all around the living room. Each box is labeled, indicating what is enclosed; Carrie's
Personal Things, Tommy's Personal Things, Mom's Personal Things, Books, Paintings, Mom's
Job, Family Room Things, etc.
CARRIE SULLIVAN, 11, tomboy, clad in a New York Giant's shirt, makes her way through
the maze of boxes until she comes up her own. She opens it takes out her football. TOMMY SULLIVAN, 13, glasses,
nerd, clad in a Batman T-shirt and Batman cap takes a book 'The American Civil War' from his own box,
and closes the box very carefully.
INT. ELEVATOR -- DAY
Tommy and Carrie are in the elevator with a BOY, Tommy's size. As the
elevator drops through the floors, the boy intentionally knocks Tommy's cap off, and laughs. Carrie glances
back at the boy. Tommy leans over to get his cap just as the door opens in the lobby. The boy kicks
Tommy's rear, sending him flying out of the elevator. Carrie presses the 'door hold'
button and turns towards the laughing boy. He YELLS IN PAIN. Carrie runs out of the elevator LAUGHING
as she tosses the football to herself. The boy exits the elevator holding his nose. He looks at his
hands and screams.
BOY
You little freak. You made my nose bleed.
Carrie spins around to look at him, smiles, then exits the building.
EXT. APARTMENT -- DAY
There is a large interstate moving
van directly in front of the building. DONNA SULLIVAN, 33, attractive, red hair, blue eyes, soft
spoken, is waving the DRIVER to come to her.
DONNA
Are you sure you know where Forest Acres is? I don't
want any problems.
DRIVER
Lady, you asked me that over the phone, three times in two days. I know
where it is. It's in the middle of the state forest.
A cab arrives for the children.
CARRIE
Mom, the cab's here!
DONNA
Okay kids!
Donna
helps the CAB DRIVER put the luggage into the trunk. She hugs the children.
DONNA
Have
a good time with your Dad. I'll see you in a week.
Tommy kisses his mother and jumps into the back seat. Carrie hugs her
mother around the waist.
CARRIE
I'm not gonna like this trip Mom. You know I don't
get along with Brenda.
Donna
brushes Carrie's hair back with her hand.
DONNA
It's only for a week, Carrie. Do it for your Dad.
DRIVER
Lady, this is costing you money.
Donna motions to him for one more minute. She pulls Carrie close and hugs her, then she
looks into the back seat.
DONNA
(To Tommy)
I want you to take care of your sister while you're on vacation.
Tommy rolls his eyes.
DONNA
(To
Carrie)
No match making, young lady. Promise?
Carrie smiles.
INT. CAB -- DAY
The cab takes Carrie and Tommy over a bridge into Manhattan.
Carrie has the football on her lap. Tommy's reading his book. The driver has the radio on.
RADIO ANNOUNCER
That's our program for today. I hope you enjoyed our musical trip down
the yellow brick road.
There's background music from "Somewhere Over the Rainbow." Two dialogue
clips come on.
DOROTHY
Toto, I don't think we're in Kansas anymore.
LION
I
do believe in spooks...I do believe in spooks...I do...I do...I do believe in spooks.
EXT. HI-RISE APARTMENT -- DAY
The cab pulls up in front of the Eastside
building. The black doorman, TOM, opens the cab door and Carrie jumps out. They 'slit each other
five.'
CARRIE
How ya doin' Tom?
TOM
I'm doing fine Carrie. How
are you doing?
Carrie
tosses him the football.
CARRIE
I got the football I wanted.
JEFF SULLIVAN, 34, handsome, blonde hair, blue eyes, exits
the lobby with his girlfriend. BRENDA STOREWELL, 29, beautiful, short black hair, dark eyes, shapely.
The children run up and hug their father.
TOMMY
Hi Dad!
JEFF
Hi
kids, we have to leave right away. We have a 12:30 flight to Orlando.
The cab driver and doorman place the luggage in the cab trunk. Carrie
gives Brenda a dirty look, then waves good-bye to Tom as she is getting into the cab.
CARRIE
Tom,
say hi to your daughter for me.
TOM
I will. You write and tell me about the new house. Don't
forget.
Once everyone
is in the cab Carrie taps her father on his shoulder.
CARRIE
Do ya got it, Dad?
Jeff smiles at his daughter, reaches
into his pocket and hands her an Ipod. Carrie quickly puts the head phones on.' Brenda glances
at Jeff.
JEFF
She likes my Eric Clapton music.
EXT. CANDY STORE -- DAY
In Forest Acres a small candy store is wedged between the town's lone
real estate office and the supermarket. Customers are rushing in and out for their morning papers and coffee,
greeting each other by their first names, AD LIB.
BEN HILL, 30, a dark skinned, burly, black park ranger rushes from his
ranger car and holds the door to the candy store for a woman who has just exited the real estate office. CHARLOTTE
GRACE, 36, short brown hair and brown eyes, clad in a business suit, smiles and bows slightly to
Ben.
BEN HILL
Good morning Charlotte, you're here early.
Charlotte enters the store and turns around to Ben.
CHARLOTTE
I have a woman flying in from New York City this morning. She's renting the old Wilson
place.
Ben stops
short in his tracks. He has to move away to let a man out, and apologizes, AD LIB. Ben's eyes
are wide open.
BEN
HILL
You've gotta be kidding me. Why would anyone rent that place?
Charlotte picks up a newspaper, grabs
a bag of M&M's, and turns towards Ben.
CHARLOTTE
She needs a place right away
and it's the only thing in her price range. She just got a job down here and she starts a week
from Monday.
Ben
shakes his head in disbelief and chuckles.
BEN HILL
Yeah, but the Wilson place?
Charlotte holds her hand up to cut Ben's word off.
CHARLOTTE
Don't believe everything you hear, Ben. No one ever proved any of those stories about
that house. It's old and it needs work, that's all.
Again, Ben chuckles and shakes his head.
BEN HILL
I usually don't believe
in ghosts, but there are so many stories about the Wilson house, I just don't know what to believe.
EXT. AIRPORT PARKING LOT -- DAY
Charlotte is walking to her car with
Donna Sullivan, who's clad in a business suit.
DONNA
It's really very nice of
you to pick me up at the airport like this.
CHARLOTTE
Don't mention it. I know what it's like to
be a single parent. Having to do everything for your children.
DONNA
It's
almost impossible. I never seem to have enough time to do anything for myself. I really appreciate
this.
Again, Charlotte
smiles.
EXT. WINDING
ROAD -- DAY
The
car passes through the state park. Charlotte glances over to Donna.
CHARLOTTE
What's your children's
names again?
Donna
smiles with pride.
DONNA
Carrie and Tommy.
Suddenly, Charlotte has to stop short when she notices a mother black
bear and her cub crossing the road right in front of them.
DONNA
Wow! I haven't seen a bear
so close since I moved from Pine Grove.
CHARLOTTE
Pine Grove, Virginia?
Donna gives a proud, sweet smile.
DONNA
That's
where I was born. I moved to New York when Jeff and I married after college.
(pause)
I couldn't afford moving
back there with the kids. The housing is so expensive now.
The car begins moving along the road. Deer stand at the edge
of the road and dash into the woods as the car passes them.
CHARLOTTE
Don't
you have family there?
DONNA
They all offered, but I want to try and do things on my own.
EXT. FOREST ACRES -- DAY
As the two women drive through the picturesque community, children
of all ages are walking toward their school. The women see the school bully, MOOSE, 13, pushing
a boy, 11, to the ground. Charlotte rolls down her window and yells.
CHARLOTTE
Leave
the boy alone, Moose! You're much bigger than him.
(To Donna)
That kid is always beating up on someone.
DONNA
We have a few of those bullies
in our old neighborhood. You get them all over, no matter where you live.
EXT.
CANDY STORE -- DAY
Charlotte pulls in front of the store and stops.
CHARLOTTE
It
sure is nice that your children's father took them to Florida so you can get the house set up.
DONNA
Yes,
he's like that. It's just that with his manager's job in computers, he doesn't find that much time for
them. We never got to see him much.
(pause)
The only time I get to talk to him, is when
we're arguing about the children.
Charlotte opens the car door.
CHARLOTTE
I'll
be right out. I just have to get a bag of M&M's. I think I have an addiction to them.
Both women
LAUGH.
EXT. STREET IN FRONT OF THE WILSON HOUSE -- DAY
Donna's eyes are wide open
as she stares in disbelief.
CHARLOTTE
I know what you're thinking. With paint and a few new pieces
of glass, this old place will look great.
DONNA
Come on, Charlotte. The only thing this place can
use is a bolt of lightening.
Slowly, Donna exits the car. Charlotte runs around, place her arm around her
new friend. It appears she supplies some encouragement. Donna is speechless as she inches forward.
Jack and Calvin walk up, bound for school. They stop and watch as the women move closer to the porch.
Just as Donna is about to touch the door knob, Calvin calls out.
CALVIN
I wouldn't go in that
Wilson house, it's haunted.
Donna turns to Charlotte, her eyes are open even wider.
CHARLOTTE
There's
no such thing as ghosts. This house is old, and needs work, but that's all.
Jack moves closer.
JACK
Everyone
in town knows that it's haunted.
Donna's finger touches the door knob and suddenly the door falls
off of its hinges and crashes to the floor in a cloud of dust. Charlotte and Donna jump back expecting
the worst.
JACK
You'll see. This place is haunted.
INT. MRS. BERGER'S
HOUSE -- DAY
The nosey-body peers through her blinds to watch what is going on next door. She turns toward
her pet parrot, CHARLES, as she fingers her hair bun.
MRS BERGER
Brats!
All I need is my prize flowers destroyed.
Mrs. Berger notices the two women leaving the Wilson house. She
opens the front window a little.
MRS BERGER
Maybe you can hear them talking, Charles.
EXT.
WILSON HOUSE -- DAY
Front yard, Donna back peddles as she looks towards the Wilson house. She shakes her
head.
DONNA
I don't know about this place. Are you sure this is the only place in my price range.
There has to be something better then this. Maybe a tent or something.
CHARLOTTE
I
have a couple of days vacation coming. I can help you get it ready for the kids.
The old, worn curtains
at the attic window move away as if someone was looking down at the two women below.
EXT. DISNEY WORLD
-- DAY
The amusement park is crowded with young families. Carrie, clad in a Dallas Cowboy's shirt,
and her brother, Tommy, clad in a Mickey Mouse shirt, are racing to the Small World amusement line.
Carrie wins but Tommy sneaks ahead of her. Carrie pushes him. Tommy fixes his glasses and smiles.
Their father and his girlfriend, Brenda, are coming in behind them. Carrie and Tommy are pushing
each other.
JEFF
I told you two before to cut it out. If you don't stop, you won't get any
ice cream later.
The children stop. Carrie looks around at all the families walking by. She turns towards
Tommy, speaking loud enough for her father and Brenda to hear.
CARRIE
I
wish Mom was here instead of Brenda.
Her father and Tommy are aghast that she said it so Brenda could hear
it. Brenda shakes her head and a slight smile breaks her lips.
JEFF
Carrie!
Apologize to Brenda right now!
Carrie steps back slightly.
BRENDA
It's okay,
Jeff.
CARRIE
Apologize? You told us we were allowed to say anything to each other as long as it wasn't
insulting or mean. Besides, I wasn't talking to Brenda. I was talking to Tommy. It's not
my fault she heard me.
JEFF
I said to apologize.
CARRIE
It's not fair.
I didn't do anything wrong.
JEFF
I told you to do something, Carrie. I'm not telling you
again.
Brenda holds Jeff's arm.
BRENDA
Don't worry about it sweetheart.
I understand. Carrie just misses her mother.
Jeff gives his daughter a dirty look.
CARRIE
(fast)
I'm
sorry.
JEFF
Say it nicely.
CARRIE
Fine. I'm sorry Brenda.
INT.
SMALL WORLD -- DAY
Carrie and Tommy get into the car and the vehicle pulls away.
TOMMY
I
worry about you, Carrie. I'm much older then you, I can see more. You have to give Brenda a chance.
CARRIE
Not!
You're only 13 and I'm 11. Besides, I'll never give her a chance. She's not good enough for Dad! Plus I
don't trust her. She's up to somethin'.
TOMMY
Don't tell
me you're still trying to get Mom and Dad back together.
CARRIE
I'll never give up. They
still love each other. They're just to stubborn to show it.
TOMMY
You're the stubborn one.
In
the next car, Jeff and Brenda are sitting with their arms around each other.
JEFF
I'm sorry Carrie
said those things to you. Sometimes, I just don't understand her.
BRENDA
It's hard for her
to accept the divorce.
(pause)
So, when are you going to tell her and Tommy we plan on getting married on Thanksgiving?
JEFF
I
don't know yet. Tommy shouldn't be a problem. I know he can adjust. But Carrie, she's gonna be tough.
Brenda
leans over and kisses Jeff on the cheek.
BRENDA
You better do it soon, sweetheart. I don't want
any trouble with her the day of the wedding. I want my wedding day to be perfect.
EXT.
DISNEY WORLD -- DAY
Together, Tommy and Carrie go on the different amusements. Jeff and Brenda are close
by, holding hands. The children continue to push each other. Carrie gets angry from one push, and
punches Tommy in the arm.
TOMMY
(rubbing his arm)
Why'd you have to do that? We were just
playing.
CARRIE
Yeah, but you didn't have to push so hard.
Carrie turns to
Brenda and gives her a dirty look, and at one point sticks her tongue out. Tommy catches her.
TOMMY
Don't
let Dad catch you doin' that.
Angry, Carrie shakes her fist at Tommy.
CARRIE
Why
don't you mind your own business and leave me alone. You're just mad because I punched you.
Tommy
follows his father and Brenda, who are walking to a food booth. A ten year old boy, who is eating an ice
cream cone, mimics Carrie's fist shaking. Moments later, Carrie's LAUGHING as she runs to catch up to Tommy.
The boy is CRYING as his ice cream cone is now sticking from his forehead.
INT.
HOTEL ROOM -- NIGHT
Jeff and the children have a two bedroom suite, with Brenda's room right next door.
Jeff pours Brenda a glass of wine. Brenda takes a sip of the wine and lays her glass down.
BRENDA
Well,
did you get a chance to tell the children we're getting married?
Jeff fingers the rim of his glass.
JEFF
No,
I want to do it tomorrow at breakfast while you're out shopping.
Brenda takes a potato chip from a
bowl in front of her and holds it to her lips.
BRENDA
I want this wedding to be the year's best
social event on the eastside. I don't want Carrie causing a scene on our day, sweetheart.
The
children's bedroom door is slightly open. Tommy, who has been listening, glances over towards his sleeping
sister.
EXT. WILSON HOUSE -- DAY
It is early morning. Donna and Charlotte
are in front of the house, ready to go in and start the cleaning and repair work. Donna looks discouraged.
A tool box and cleaning materials are at their sides. Three car loads of YOUNG ADULTS and TEENAGERS
arrive at the curb, followed by two pickup trucks loaded with supplies of wood, glass, and paint. Donna is astonished,
and glances toward Charlotte for an answer. Charlotte smiles and holds Donna's hand.
CHARLOTTE
The
Church just started up a youth group and I volunteered to be the director, so I thought this would be a
good first service project for them. I hope you don't mind.
Donna smiles.
DONNA
I'd
be crazy to mind.
The teenagers GREET THE WOMEN, AD LIB, as they pass them on their way into the house.
Once the volunteers are inside, the two women follow them in.
SERIES OF SHOTS:
HIGHLIGHT
THE CONDITION OF THE HOUSE, REPAIR AND CLEANING PROCESS. SOME SHOTS ARE COMIC WITH CLOUDS OF DUST
ENGULFING EVERYTHING AND EVERYONE.
INT. HOTEL RESTAURANT -- DAY
Breakfast is half
eaten when Carrie pushes her plate away.
CARRIE
How could you, Dad?! I don't believe you could
do this to Mom.
Jeff goes to hold her hand across the table and Carrie quickly pulls it away.
JEFF
Your
mother and I are divorced, Honey. I have to live my life and she'll live hers. Brenda will be like your
second mother.
Carrie pushes her chair back and stands up. Her eyes highlight that she can
not believe what she just heard.
CARRIE
Brenda will never be my mother! I hate her!
Carrie
runs out of the room and into the lobby. Jeff and Tommy glance around at all the staring families. Tommy
decides to go after her and finds her sitting on the sofa.
INT. LOBBY -- DAY
He
sits down next to her on the sofa.
TOMMY
Carrie it might be fun. Look at all our friends who have
two mothers. They seem happy. Yeah, look at Charlie Gallo, he loves his stepmother, and still loves
his real Mom.
CARRIE
I'm not going to love her and she's not going to love me, or Dad. She's
two faced.
INT. JET PLANE -- DAY
Flying over the ocean, Jeff is working with his lap
top computer as his children are asleep next to him. Carrie's wallet drops to the floor and
spills out it contents. Jeff picks them up and notices his wedding picture with Donna. He looks
at it and releases a slight SIGH. Trying to act as if she is asleep, Carrie watches him with one eye. She motions as if she
is waking up and her father quickly shoves the picture back into the wallet.
INT.
WASHINGTON D.C. AIRPORT TERMINAL -- DAY
Jeff and the children exit the plane gate and look around the crowd
for Donna. Tommy notices her and points.
TOMMY
There's Mom! Over there by the pay phones.
Jeff
hugs Tommy and shakes his hand.
JEFF
Remember to listen to your Mother, and don't give her a
hard time about moving to Virginia. You're gonna like living there. I did when I was in college.
Jeff
goes to say good-bye to Carrie, but she walks away.
JEFF
You're still not talking to me, Carrie?
You're not even gonna say good-bye?
Ten feet away, Carrie turns toward her father, but walks backward
toward her mother.
JEFF
Good-bye Carrie. I'll call you.
Carrie dashes back
to her father grabs hold of him. Tears are rolling down her cheek.
CARRIE
I love you, Daddy. I love
you so much.
Jeff pushes her away slightly so that he can see her face.
JEFF
I
love you too. I don't want you to be angry with me over this wedding. I want you to be happy.
CARRIE
I
can't stay mad at you, Dad.
Jeff smiles
JEFF
You never give up. You better
go to your mother. She'll think you got lost in the crowd.
As Carrie makes her way through, Jeff eyes
Donna, who looks very attractive in her business suit. Their eyes meet. As Donna and the children
walk through the terminal, Jeff watches them. His New York connection is announced, AD LIB. As his
plane lifts off, Donna watches.
INT. SULLIVAN CAR -- DAY
Before the car starts, Carrie
leans over the seat and gives Donna a hug and kiss on the cheek.
CARRIE
You look so pretty today,
Mom. Are you going somewhere?
DONNA
Yes honey. I've got to go to work. But first, I have to drop
you and your brother off at home with the babysitter.
CARRIE
Babysitter! I was hoping you would stay
home today. Please Mom stay home. Your boss won't miss you one day.
DONNA
I can't honey.
It's my first day at the new job. I want to make a good first impression. Besides, we can really
use the money. I've asked the boss if I could go in late tomorrow, so that I can take you and Tommy to school in
the morning.
CARRIE
Why can't we stay home the rest of the week?
Donna puts
her seatbelt on and glances back to make sure the children have theirs on.
CARRIE
Come on Mom, can
we stay home tomorrow? You can show us Forest Acres.
TOMMY
I don't wanna stay home. I wanna get
started as soon as possible. They've got a really cool computer department.
DONNA
Your brother's
right, honey.
Carrie shakes her fist at him, Tommy smiles.
EXT. WILSON HOUSE -- DAY
The
children stand next to each other, looking at the house. It has a completely different look, with its new
paint job, fixed shutters, and window panes. Donna is very proud.
DONNA
So, what do you
think? It's beautiful isn't it?
CARRIE
I'll tell you one thing, it's big.
TOMMY
It's
old. The architecture looks like it was built before the Civil War.
Donna places her hands on his shoulders.
DONNA
I
don't know when it was built. It could have been built last year for all I know. Let's go inside, I want you
to see your rooms.
As they walk on the porch's wooden floor, Donna's foot
breaks through the plank. She rolls her eyes.
INT. WILSON HOUSE -- DAY
At the attic
window, the old curtains close. Downstairs in the hallway, MRS ANDERSON, the babysitter, middle
aged woman, built like a Marine drill instructor, and facial expression to match, meets the Sullivans. Carrie rolls her eyes
at Tommy.
DONNA
Hi, Mrs. Anderson. I was just going to show the kids their
new rooms.
Mrs. Anderson pulls Carrie by the shoulder.
MRS ANDERSON
That's
alright, Mrs. Sullivan, I'll take the children around the place, you just go off to work.
DONNA
Are
you sure?
MRS ANDERSON
Handling kids is my specialty.
Carrie turns her back on
her.
CARRIE
(sotto)
This is one kid she's not gonna handle.
Donna takes
Tommy to the side. She brushes his hair back with her hand.
DONNA
I want you to keep an eye on your
sister. Try and play with her as much as possible over the next few weeks.
Tommy rolls his eyes.
TOMMY
Come
on, Mom. You know how she is.
DONNA
At least keep an eye on her until she gets some new friends.
TOMMY
Alright.
DONNA
I
knew I could count on you.
Donna says good-bye to Tommy and Carrie, AD LIB, then leaves. Mrs. Anderson
watches Donna pull away in the car, then turns around toward Tommy and Carrie.
MRS
ANDERSON
I'm gonna tell you both once, and only once, I'm not here to be your maid, I'm only here to make
sure you do the right thing.
MRS ANDERSON
No rough housing, no raiding
the refrigerator, no television, and no playing music. I like it quiet when I'm watching my
soaps.
She points to the children's luggage.
MRS ANDERSON
Now get those bags
upstairs before I make you do fifty. Now! Get moving!
In the family room, Mrs. Anderson is setting up a
lunch tray in front of the television. In the kitchen, unknown to the woman, Carrie is putting something
into Mrs. Anderson's sandwich. The babysitter takes her lunch to the television. As Carrie watches,
Mrs. Anderson looks at her watch, then turns on the television to a soap opera. The woman unwittingly puts
her sandwich close to her mouth. A worm sticks its head from between the bread slices. The sandwich is only an
inch away from Mrs. Anderson's mouth as she continues to stare at the television. Carrie takes
something from a bag in the hallway. Mrs. Anderson pulls her sandwich away from her mouth in reaction
to something on the soap. She takes a big bite out of it, and MAKES A SOUND that she likes it. Carrie's
laughing to herself. Mrs. Anderson's about to take another bite when half of a worm falls on
her tray. She jumps up SCREAMING, and runs into the hallway. Carrie shoves a snake into her face. The woman locks
herself in the bathroom. When Donna arrives home, Mrs. Anderson rushes past her out the door.
MRS
ANDERSON
Let me out of this house!
DONNA
What about tomorrow?
Mrs. Anderson's
in a trot down the street.
MRS ANDERSON
You don't need a babysitter! You need a zoo keeper!
Donna
turns toward a LAUGHING Carrie.
DONNA
What'd you do to that poor woman? Now she's doesn't
want to come back.
Donna turns her back and watches Mrs. Anderson. Carrie does a slight victory dance,
and Donna catches her.
DONNA
Go to your room.
CARRIE
It's not fair.
I didn't tell her to leave like that.
DONNA
Get!
INT. GRAMMAR SCHOOL -- DAY
Beginning
of the school day. The hallway is crowded with children, parents, and teachers. Dressed for work,
Donna kisses Carrie and Tommy good-bye and exits the school building. Moose, the school bully, and his friend, BILLY, are
watching the scene. Billy pushes Tommy into Moose. Moose grabs Tommy by the collar, knocking his
glasses to the floor.
MOOSE
Who do you think you are pushing into me?
TOMMY
(nervous)
I...I
didn't do it on purpose. Someone banged into me.
BILLY
Ya gonna take that from a nerd?
Billy
shakes his head.
BILLY
This is not like you Moose.
Moose pulls Tommy close and
lifts him off the floor.
MOOSE
You talk funny. Where ya from, nerd?
Carrie moves
through the crowd and pulls her brother from Moose, then hands Tommy back his glasses.
CARRIE
Leave
my brother alone! He didn't do anything to you.
Billy's eyes go wide.
BILLY
You
know who you're talking to, girl?
Moose goes to grab Tommy's collar and Carrie SLAPS his hand.
A HUSH sweeps the hallway.
CARRIE
I don't care who I'm talking to. You don't mess with
my brother.
Moose LAUGHS. Billy follows suit. Carrie holds her ground and Tommy hides behind her.
CARRIE
Go
start with someone else.
MOOSE
Don't this beat it all. This four eyed clown has to be protected
by his little sister.
BILLY
Break his face for him.
Moose raises his hand to cut
off Billy from talking. He points at Tommy.
MOOSE
Listen ya little mouse turd! Your mother and little
sister ain't gonna be around all the time to help ya.
Moose then points to Carrie. Carrie SLAPS his
hand away.
CARRIE
Develop some manners.
Moose smiles and shakes his head in disbelief.
MOOSE
Listen,
sweetheart. You're lucky you're a girl. But next time, I won't be so nice. I don't like people making
a fool out of me in front of my friends.
CARRIE
Don't blame that on me.
You were a fool before I met you. I'm sure your friends know that.
Billy CHUCKLES and Moose gives him
a dirty look. He starts to walk away, then turns around to Carrie and Tommy.
MOOSE
I'm gonna
be looking for you two.
Carrie shakes her whole body as if she is afraid.
BILLY
Why'd
ya let that girl do that, Moose? Everyone's gonna talk how you backed down from a girl.
Moose smiles
at Billy.
MOOSE
This is just the beginning between us. I'm gonna have them beggin' for mercy.
BILLY
I
think ya shoulda done it when everyone was looking. This is not good for our rep.
Moose shoves Billy against
the wall, and walks away alone.
INT. MARINO BUSINESS SYSTEMS -- DAY
It is a modern computer
office. Terminals are set up in the many office cubicles. Donna Sullivan is hard at work at her
terminal. Piles of computer manuals are on the desk next to her along with a case of beautiful flowers. Pictures
of Tommy and Carrie are near by. She leans over to smell the flowers then gets back to work. ROBERT FOX,
60, black, bald with neatly trimmed hair on the sides, thin mustache, clad in a business suit, passes
by Donna's cubicle. Donna notices him and calls him over.
DONNA
Mr.
Fox.
He enters with a big smile and points at the flowers.
FOX
I can see you received
our welcoming gift. I hope you like them.
Donna smells then again and fingers a flower.
DONNA
I
love them. They're so beautiful.
FOX
I'm glad you like em'.
Mr. Fox
sits on the edge of the desk.
FOX
I just got off the phone with your former boss, Mr. Stewart. He
said nothing but great things about you and your work.
Fox CHUCKLES.
FOX
In
fact, he said he did everything in his power to keep you there.
DONNA
Yes, Mr. Stewart was a great
boss. I couldn't have been happier there.
Donna presses the enter key on her computer.
DONNA
I
was happy there, but I wanted to move back to Virginia.
FOX
The way you've been pounding out
on that terminal of yours, I can see New York lost a great resource.
DONNA
Thank you.
Donna
smells her flowers.
INT. WILSON HOUSE -- DAY
CARRIE BRINGS A FIELD MOUSE INTO THE HOUSE
IN A SHOE BOX, AND SHOWS THE NEW BABYSITTER. THE WOMAN JUMPS ON THE KITCHEN TABLE TO GET AWAY FROM
IT. CARRIE PICKS UP THE SMALL ANIMAL BY THE TAIL AND BRINGS IT CLOSE TO THE WOMAN. WHEN DONNA RETURNS
FROM WORK, THE BABYSITTER RUNS OUT. CARRIE DOES HER VICTORY DANCE AND IS SENT TO HER ROOM. ANOTHER BABYSITTER, WHO
LOOKS LIKE A WITCH, CHASES CARRIE WITH A BROOM. THEY GO OFF THE SCENE AND RETURN WITH CARRIE CHASING THE
BABYSITTER WITH THE BROOM.
The fourth babysitter, PAM, a teenage high school
girl, is talking on the phone in the family room. Carrie enters the room in a panic.
CARRIE
Come
quick! Come quick!
The girl puts the phone down and runs out into the hallway. Tommy is watching from the
kitchen. Carrie sneaks back into the family room and sticks a huge wad of gum on the ear piece of
the phone. Pam reenters as Carrie hides behind the sofa.
PAM
I don't
know what...
She pulls the phone away and the gum is attached to her hair. She SCREAMS. Donna returns home
and Pam shoves ten dollars into Donna's hand.
PAM
Take this money and
please don't ever call me again.
Pam runs out the door. Donna CALLS OUT.
DONNA
Carrie,
get to your room.
Tommy meets Carrie at the top of the stairs.
TOMMY
I know what
you're trying to do, and so does Mom.
Carrie makes a face and moves her head from side to side.
TOMMY
Well,
it's not going to work. Mom has a plan.
Carrie pushes him as she enters her room.
INT.
WILSON HOUSE -- DAY
The large country kitchen is done in with simple but quaint furnishings. The PHONE
RINGS and Carrie and Tommy race from the family room to get it. Tommy trips and his glasses fall
to the floor. As he picks them up, Carrie answers the phone.
CARRIE
Sullivan's
truck stop. You got the money, we got the mush.
JEFF
Carrie honey, can you hold on?
Carrie
covers the mouth piece and turns towards Tommy.
CARRIE
It's Dad!
INT. JEFF'S
WORK OFFICE -- DAY
Jeff's office is neat, yet there are stacks of papers and computer listings everywhere.
Jeff's sitting at the desk holding the phone with one hand and an office memo in the other.
An EMPLOYEE enters, and hands Jeff a report.
EMPLOYEE
Can you sign this report for me, Jeff. Mr.
Cunningham's waiting for it.
Jeff flips a few pages then signs it.
JEFF
Did
you fix those spelling words?
The employee smiles and closes the door as he leaves.
JEFF
Thank
you for waiting Carrie. I'm very busy today. I've been working very hard.
Jeff takes a sip from
his coffee mug, labeled 'World's Best Dad.'
JEFF
I have to talk to you about something
very important, honey. Let me say everything before you cut in.
INT. WILSON HOUSE -- DAY
Carrie's
smile turns to a frown as she listens to her father over the phone. She sits down.
CARRIE
You've
moved the wedding day to Columbus Day! Why? You can't do that. Columbus Day is only a month away.
Carrie's
eyes begin to fill with tears.
CARRIE
Dad, why are you letting Brenda do this? Don't you have
a say in this? What, are you afraid of her?
She snaps a pencil that was laying on the table.
CARRIE
I
want to see you before then. Can you come visit us this weekend? Please!
JEFF
I can't, honey.
Not this weekend.
CARRIE
Then can Tommy and me go up to visit you in New York? We won't be any
trouble. You won't even know we're there.
JEFF
Brenda and I will be very busy.
CARRIE
What
do you mean you're going to be busy with Brenda? We're you're children. I don't believe you, Dad!
Carrie
throws the phone, runs out the back door, and into the yard. Tommy picks up the phone.
TOMMY
Dad...Dad?
Are you still there?
EXT. WILSON HOUSE -- DAY
The Wilson backyard borders the state
park. Carrie walks behind the old carriage house and sees a young deer. She inches toward the animal.
INT.
WILSON HOUSE -- DAY
The old worn curtains move away as if someone is looking down at her.
EXT.
WILSON HOUSE -- DAY
CARRIE
Are you lost little deer? I'll help you find your parents.
The
deer runs off into the woods and Carrie follows. She tries to keep up, but slips while crossing the stream
and falls into the mud.
INT. WILSON HOUSE -- DAY
In the family room Tommy
is changing the channels on the television when he comes to a channel showing black bears. There's
an interview with Ben Hill.
BEN HILL
During the summer months, park bears develop some bad habits
with the help of our tourists, maybe even some of our own town's people.
(pause)
People
spoil the animals by feeding them scrapes from the table or picnic baskets. Now the bears want more and
they won't take no for an answer. They'll do anything to get it. Even steal from garbage cans.
INTERVIEWER
Ben,
are these bears dangerous to the public? Are they something we should be afraid of?
BEN HILL
Normally,
bears are more afraid of people, then you are afraid of them. They won't bother you unless they feel
threatened or think their young are threatened. They're extremely protective of their young.
Donna
comes in from work. As the television interview continues. Tommy speaks to his mother. The television
shows garbage left on a picnic table and a bear rummaging through it. A cub is at it's side.
TOMMY
Did
you ask your boss about your plan?
Donna lays her briefcse down, and Tommy turns the television low.
DONNA
He
likes the idea. He said he was going to recommend it himself.
Donna kicks off her shoes and rubs her feet.
DONNA
Where's
Carrie? Is she out playing?
TOMMY
She went out back, about two hours ago. Dad and her had a disagreement.
It really upset her.
DONNA
Two hours? She could be lost in those woods!
Tommy
glances at the television which is still showing the bears.
EXT. WILSON HOUSE -- DAY
Near
the face of the woods, Donna and Tommy are CALLING OUT TO CARRIE, AD LIB. Mrs. Berger sticks her head out
from her back window.
MRS BERGER
Stop the yelling before I call the police.
Carrie
exits the woods, covered in mud.
INT. WILSON HOUSE -- DAY
In the kitchen Donna is on
the phone, arguing with Jeff.
DONNA
Why can't you see past your own nose? You know how this child
feels about your relationship with Brenda!
JEFF
My getting married is not selfish. Getting remarried
happens everyday.
DONNA
You know I'm not talking about you getting remarried. It's your lack
of understanding about how she feels. She's just a kid!
Up at the top of
the stairs, Carrie is listening to her parents argue about who's fault everything is, AD LIB.
The young girl hates to hear her parents argue and you can see it on her face. She hears her mother hang up the phone. When
she thinks her mother is coming up the stairs, Carrie backs up into a door, and a skeleton key falls
from a door ledge. After realizing that no one is coming up the stairs, she tries the key on the
door, and finds it to be an empty closet. she tries another door, and finds the stairs to the attic.
She climbs slowly through the layers of cob webs. She sees a spider and tries to pick it up, but
the insect runs into a hole.
INT. WILSON HOUSE -- DAY
In the kitchen, Donna is sitting
on a chair when Tommy comes up behind her and hugs her.
TOMMY
It's okay, Mom. Things will settle
down with Dad once the wedding's over.
Donna hugs Tommy's hand and pulls him in front of her.
DONNA
I
have a surprise for you, young man. I can tell you my plan.
(pause)
We're getting a computer installed tomorrow
in the family room.
Tommy's face turns to all smiles.
DONNA
My boss is giving
me one at home, so I can do a lot of my work here. This way I can be home with you and Carrie more.
TOMMY
I
can use it right?!
DONNA
Only if I'm not using it for work.
INT. WILSON ATTIC
-- DAY
Carrie is walking around the attic which is filled with antique furniture and novelties. She is
sad. She picks up a porcelain doll, and hugs it.
CARRIE
I wish you were
a real friend. Then at least I would have a friend.
She brushes the dust off the dress.
CARRIE
We
could talk. Tell each other our problems.
She wipes a smudge from the doll's face.
CARRIE
I
wish you could understand about parents and divorce. About brothers, and school, and things like that.
(pause)
It
so hard being a kid. No one really understands you.
She takes the doll and walks around looking around
at everything. She hears a noise downstairs, lays the doll on a chair and walks to the top of the
stairs and looks down. Suddenly, she hears her NAME BEING CALLED, AD LIB, from a corner of the attic.
She walks over to where the elderly voice came from. She is standing before an old painting of two elderly men,
and a small black and white spotted dog, sitting on a 19th century sofa. Confused, she walks back to the stairs.
Again her NAME IS CALLED, AD LIB. She returns to the painting. Suddenly, the dog BARKS and wags
its tail. Carrie jumps back and falls into a chair. GEORGE WILSON, grey hair and long mustache,
stands up in front of their sofa.
GEORGE
Don't be afraid. We're here to help you. I'm
George Wilson and this is my brother Ulysses.
He opens his hand toward ULYSSES, a tall, lanky, bald man,
with a long beard. Carrie pinches herself repeatedly. Her eyes are open as wide as they go.
CARRIE
(sotto)
This
can't be happening. This isn't real.
GEORGE
We're ghosts, but we're not here to scare
you, Carrie. We want to be your friend.
Carrie shakes her head as Ulysses pulls on his beard. The dog continues
to wag her tail. She BARKS, and Carrie jumps back in her seat
GEORGE
Oh,
I'm sorry. This is our dog, Happy. She's the brains of this outfit, and the one who keeps us in line.
Carrie
slowly inches forward on her chair.
CARRIE
Wilson. You're the people this house was named after.
George
gives a warm smile.
GEORGE
Yes, that's us. Our father built this place in 1845, with the help
of his family.
Ulysses is silent, but continues to pull of his long beard. Happy continues to wag her tail.
CARRIE
I
can't believe this is happening. I must be dreaming.
George CHUCKLES.
GEORGE
It's
true. We're ghosts
(pause)
We're stuck in this house.
Carrie stands up and moves closer
to the painting.
CARRIE
Why are you talking to me and not the rest of my family.
GEORGE
We
want to help you. Your parents.
Carrie makes a facial expression like she is shocked.
CARRIE
How
do you know what's going on?
GEORGE
We saw and heard everything. Our father made a strong house,
but he didn't make the walls too thick. He always wanted to hear if our ma was calling for him.
Downstairs,
Donna CALLS UP TO CARRIE, AD LIB.
CARRIE
I can't stay. My turn for the television is now. My
mother's probably wondering what I'm up to.
Moments later, Carrie's smiling, as she runs downstairs,
holding a small wooden box in her hands.